Download Mozart K620 Queen Of The Night Aria - Accompaniment / Play Along / Sing Along MP3. Music for Accompaniment by Wolfgang Amadeus Mozart (1756. Wolfgang Amadeus Mozart. Die Zauberflote (The Magic Flute), K. 620, Act II: Arie: Der Holle Rache kocht in meinem Herzen, 'Queen of the Night' (arr. For brass ensemble) Wolfgang Amadeus Mozart. Allegro: Exsultate, jubilate.
QUEEN OF THE NIGHT'S ARIA - Parts & Score, SOLOS - E♭.Soprano Cornet
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Cat No.JM35824
Price £27.95

Material: John Golland
Category: SOLOS - E♭.Soprano Cornet

Arranged as an Eb. Soprano solo, from the Opera 'The Magic Flute'
Duration 2.56

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Queen Of The Night Aria Mp3 Song
You can buy the full recording of this work on the CD section of our site.Queen Of The Night Aria Mp3

The recording is FAIREY BAND IN CONCERT on Doyen DOY CD224
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Queen Of The Night Cactus
Notes & Instrumentation
Showcase a flute soloist with this inspired arrangement of the Queen of the Night's Aria. The aria 'I'll Have Revenge' (Der Hölle Rache') is sung by the Queen of the Night in the second act of Mozart's opera 'The Magic Flute.'
Genre: Solo Flute with Band | # of Players: Standard + 1
Level: 3.5 | Duration: 3:10
Instrumentation
1st Flute (SOLO)
2nd Flute (Piccolo)
1st Oboe
2nd Oboe*
1st Bb Clarinet
2nd Bb Clarinet
3rd Bb Clarinet
Bb Bass Clarinet*
1st Bassoon
2nd Bassoon*
1st Eb Alto Saxophone
2nd Eb Alto Saxophone*
Bb Tenor Saxophone
Eb Baritone Saxophone*
1st Bb Trumpet
2nd Bb Trumpet
3rd Bb Trumpet*
1st F Horn
2nd F Horn
3rd F Horn
4th F Horn*
1st Trombone
2nd Trombone*
3rd Trombone
Euphonium
(TC Baritone)
Tuba
Timpani
Parts marked with as asterisk (*) are NOT ESSENTIAL, although their presence will obviously enable a fuller realization of the composer's intentions to be achieved.
Program Notes
The aria 'I'll Have Revenge' (Der Hölle Rache') is sung by the Queen of the Night in the second act of Mozart's opera 'The Magic Flute.' The Queen of the Night is one of Mozart's most famous operatic figures, which is rather surprising as she sings only two arias in the entire opera. However, it is the style of these arias which has made the character justifiably famous: both are extremely virtuosic and require a high range and great vocal flexibility - a coloratura. Mozart probably wrote the arias in this way to represent the external glitter but inner hardness of the Queen. She first appears seemingly as a representative of the forces of good and light, and only in the second act of the opera do we discover that she is the symbol of darkness and superstition.
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